In its recitals at Wigmore Hall the Doric String Quartet has shown an affinity for Haydn. The set of six quartets, Op.20, written when the composer was 40, catch him in the white heat of experiment, ...
(6) String Quartets, Movements: No. 4 in B flat Chiaroscuro Quartet (6) String Quartets, Movements: No. 5 in G, 'How do you do?' Chiaroscuro Quartet (6) String Quartets, Movements: No. 6 in D ...
Two years ago, Haydn's bicentenary caused many to take him a lot more seriously. The New Zealand String Quartet swept us through 20 quartet movements from Opus 1 to 103, revealing just why Haydn is ...
(6) String Quartets, 'Erdödy', Movements: No. 1 in G Chiaroscuro (6) String Quartets, 'Erdödy', Movements: No. 2 in D minor, 'Fifths' Chiaroscuro (6) String Quartets, 'Erdödy', Movements: No. 3 in C, ...
In his Op.76 string quartets Haydn shows us six faces, if not more. Each one of the half-dozen quartets ventures daringly in character. We see Haydn the courtly and the rustic, the warm-hearted and ...
Contrasting sets from Amsterdam’s Dudok Quartet and the London Haydn Quartet prove illuminating. And Inside Music with Lucy Crowe Some 21 years separate the composition of two sets of Haydn string ...
Between 1757 and 1799, Franz Joseph Haydn completed 67 string quartets. Every one, even the lightweight early divertimentos, has something in it to enjoy. Many of the last quartets are masterpieces.
The Maxwell Quartet draws fascinating parallels between the music of Joseph Haydn, the father of the string quartet, and Scottish folk music in their latest release, this week’s Feature Album on ABC ...
London Haydn Quartet Hyperion CDA 67877 (2 CDs for the price of 1)**** This may be the third volume in the London Haydn Quartet's survey of the quartets of Haydn, but it's also the point at which, ...
Haydn wrote the six quartets of Opp 54 and 55 in 1788, by now a celebrated composer across Europe and still opera Kapellmeister at Esterházy. These period instrument players, whose very name declares ...
Under recent directorships, it and other “heritage” art-form programs frequently have felt like tick-box afterthoughts to schedules dominated by ostensibly contemporary, genre-shattering items.
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